Cristo Vladimirov Javachev, who was known for his memorial environmental artwork with his late wife, Jenny-Claude Denat de Gilben, has died. He was 84 years old.
Together, known simply as Cristo and Jean-Claude, they incorporated iconic landmarks into fabrics, such as the Pont Neuf in Paris in 1975 and the Reichstag in Berlin in 1995; And in 2005 removed the sacred Tory gates in Japan and installed thousands of orange gates in Central Park.
He is survived by his son, Cyril Cristo, a photographer, filmmaker and animal rights activist. Jean-Claude died in 2009 after a brain aneurysm.
Cristo: ‘I’m an artist who makes perfect sense’
After his death, Cristo devoted himself to completing their ideas. 19 In 2016, he realized his project “The Floating Piers” at Lake ICO in Italy, which they envisioned in 1970. For 16 days, the golden paths appeared in the lake supported by 220,000 polythene cubes. Like many of their works, it was a popular success. In the first five days, about 270,000 people walked on the water.
The statement announcing his death also indicated that the Paris project was moving forward: “Cristo and Jean-Claude have always made it clear that their artwork will continue after their deaths. , Track 2021. “
Cristo and Jean-Claude, 1976 Credit: Wolfgang Volz
Cristo and Jean-Claude were born on the same day, June 13, 1935 – Cristo of Bulgaria and Jean-Claude of Morocco. In 1957, Cristo took part in a semester at the Vienna Academy of Fine Arts before finally landing in Paris, where he met Jenny-Claude in 1956. He had already started wrapping things like furniture and oil drums and in 1919 they started working together. For decades, the couple used only Cristo’s name until 1994, when Jean-Claude as their co-worker was fraudulently associated with many jobs.
The artists emphasized that their ambitious projects were about “joy and beauty”, as Jean-Claude once said in 2002. However, they did not create their work in any political vacuum and for their first collaboration they equipped the oil barracks with barricades. A street in Paris in protest of the Berlin Wall.
Cristo and Jean-Claude’s encounters with temporarily altered land and city streets can be an exciting, perceptual-changing experience, and it took them 24 years to complete the out-fitting concept of the pull wreckage, which took years – and sometimes decades – to complete; Artists also considered the “hardware” period to be part of the “software” period, while artists considered the “hardware” period to be part of the initial work of their art.
“Islands Around,” Biscayne Bay, Greater Miami, Florida, 1980-83 Credit: Wolfgang Volz / Cristo and Gene-Claude
In the 1980s, the pair began planning “surrounding islands” to encircle 11 islands off the coast of Miami’s bisque from the city for about প্রায় 13,000 worth of broken pink polypropylene fabric.
For three years they worked tirelessly with their staff – including an attorney, a civil engineer and a marine engineer, a marine biologist and a manned specialist – to bring their vision back to life, facing various obstacles to obtaining a permit and a federal one. The lawsuit was started by a wildlife paramedic. The “surrounding islands” were finally unveiled in 1973, and the revival of Miami was considered a cultural destination in the 1960s. The couple faced any criticism of environmental concerns for their work, insisting they had returned each site to its original state – and cleared about 40 tonnes of rubbish “in the case of the surrounding islands”.
Cristo unveils new work at Hyde Park in London
“We pay with our money! No grants from the industry, no money,” he said at the launch of “The London Mastaba” in 2018. “All these projects were started by us. No one asked us to do it. No one asked us.” Nob asked us to install a floating pier to wrap the rickstag. We decided to do exactly what we wanted. “